[ 01 / AI B-ROLL BY CHRIS RAW ]

PRACTICE

AI B-ROLL / VISUAL WORLDSHAQUILLE O’NEAL / B-REAL / COYOTE FOR HIRE

[ FILM PREVIEW ]

A short preview of the Practice visual world featuring Shaquille O’Neal, B-Real and Coyote for Hire.

PRACTICE / SELECTED MOTIONAI B-ROLL BY CHRIS RAW

[ THE CONTRIBUTION ]

I brought three artists into the same scenes without requiring them to share a set.

For Coyote for Hire, I used AI to place Shaquille O’Neal, B-Real and Coyote for Hire together inside the same scenes, even though they never had to meet in person. I delivered the results as a flexible collection of B-roll clips for Practice.

The central challenge was making that shared presence feel believable. I matched scale, light, character treatment and atmosphere across industrial streets, wolves, ritual and raw portraiture. Every clip belonged to the same visual world and could cut naturally into the edit.

Shaquille O’Neal walking through an industrial street with a dog — 02 / SHAQUILLE O’NEAL / STREET FRAMEThe street frame establishes the monochrome palette, grain and industrial setting. Those elements carry into the shared interior scenes, connecting different locations within the B-roll package.

PRODUCTION NOTES

THE ASSIGNMENT

Bring three artists into shared scenarios through AI B-roll, without requiring a shared physical shoot.

One shared scene

For Practice, the task was to bring Shaquille O’Neal, B-Real and Coyote for Hire into shared scenarios through AI B-roll. The artists did not need to meet on a physical set.

Continuity across artists

I matched scale, light, character treatment and atmosphere across the scenes. Industrial streets, wolves and raw portraiture gave the clips recurring visual elements that could hold together in an edit.

Clips for the edit

My contribution covered visual development, shared scenarios, artist continuity and delivery of the final AI clips. The commission was B-roll for the release; the credit here refers specifically to that contribution.

THE HANDOVER

The delivered material was a flexible collection of AI B-roll clips ready for the music-video edit. The preview and selected frames on this page show that contribution; the official video is linked below.

These are selected frames from the finished AI work, not photographs of a shared physical shoot.

RELATED COMMISSION

01

ARTISTS

SHAQUILLE O’NEAL / B-REAL / COYOTE FOR HIRE

02

RELEASE

PRACTICE

03

MY WORK

AI B-ROLL / VISUAL DEVELOPMENT / CLIPS DELIVERY

[ PUBLIC IMPACT ]

PUBLIC COUNTS / 9 SEP 2026

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6.8KINSTAGRAM LIKESOFFICIAL RELEASE REEL245 COMMENTSCLICK TO VIEW ON INSTAGRAM 82KYOUTUBE VIEWSOFFICIAL VIDEOCLICK TO WATCH ON YOUTUBE

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The linked counts describe the released video or track at the stated observation date. They do not establish that the visuals caused its views, streams or chart position.

[ MY ROLE ]

I developed the visual language, built the shared scenarios, generated and refined each artist’s presence, maintained continuity across characters and environments, and delivered the final AI clips ready for use as B-roll.

AI B-ROLL FOR MUSIC VIDEOSNew edit-ready scenes designed to extend an existing film without breaking its visual language.

Finished AI scene of Shaquille O’Neal and artists beside the Practice reference wall — 03 / DIRECTION WALL / PRACTICEThis is a finished AI scene depicting the artists around a reference wall. Their relative scale, lighting and shared space are the focus of the image; the wall is part of the scene, not documentation of an in-person production meeting.

Wide AI scene of the artists sharing the Practice reference-wall setting — 04 / TEAM / VISUAL DEVELOPMENTA wider view returns to the same wall, dark clothing and monochrome texture. Comparing it with the preceding frame shows how the setting connects the artists across a change in viewpoint. Both images belong to the delivered AI work.

B-Real painting Practice above a wall of visual references — 05 / B-REAL / PRACTICE